Polsky West
Polsky West is the collaborative composition project of Maya Polsky and Lulu West. Maya and Lulu write music that combines contemporary classical textures with folk songwriting melodies. As young guitarists, Maya dove deep into studying jazz and Lulu into classical, each filling her ears with everything from Punch Brothers and Debussy to Billy Strayhorn and John Zorn. When the two met as freshmen in college, they quickly began writing duo guitar music that merged these influences.
Everything Lulu and Maya write starts on two guitars and then evolves, incorporating Lulu’s background in orchestration and arranging and Maya’s in music production. The two want to make a concert hall feel like a campfire, and to make campfires feel like concert halls. They aim to make music that is welcoming and inclusive without compromising on complexity. Recently, Polsky West premiered their project Play / Space, a collection of duo compositions and their orchestrated counterparts performed side-by-side at the Granoff Center for the Performing Arts in Providence, RI.
Now out of school and based in New York, Lulu and Maya are performing around the New York City as a duo while continuing to work on projects for larger ensembles. The recently had a premiere of their piece, Touch the Moon, commissioned by Ensemble Dal Niente and the Brown Arts Initiative. They are also currently recording their debut duo record.
The Play / Space Project
These are three duo performances of pieces from the Play / Space Project.
Play Space is a collection of music inspired by the places that shaped us. When we met as freshmen, we started writing duo guitar music that combined images of the places we grew up – the Rocky Mountains of Colorado (for Lulu) and New York City (for Maya) – with imaginary landscapes. These pieces also combined our musical upbringings, merging jazz, classical, and songwriting sensibilities.
Over the past year, we’ve expanded upon these pieces and orchestrated them for a chamber ensemble. We wrote and rewrote, imagining how our melodies might sing more on an oboe or a trumpet, how chord voicings could stretch beyond the confines of six strings, and how key clicks and bow scratches could break us out of the textures we’re so familiar with on our guitars. In orchestrating, we also found a new appreciation for the clarity and honesty of the duo arrangements and wanted to share both versions side by side.
Having both studied in conservatory environments for jazz and classical music, we found ourselves disillusioned by the way these genres are often presented as inaccessible and exclusionary. A large part of our creative process, both in our writing and in our performance goals, has been about trying to make our music welcoming without compromising on complexity.
We've brought together a wonderful group of student musicians, mostly classically trained but some with more improvisational backgrounds, with the hopes of building a community of musicians who are willing to explore together and bring these compositions to life.
Touch The Moon written for Ensemble Dal Niente
On nights when the moon hung big and low in the sky, we thought if we swam out far enough, we might be able to touch it. This piece is about that feeling: space and time stretch on in ways we don’t expect. They extend forever, until they collapse.
In the Touch the Moon score, musical time comes in two formats: boxed and unboxed. Boxed time is liquid, stretchy, free-flowing. In boxed sections, the ensemble operates as one large texture. Unboxed time, on the other hand, trods forward, often propelled by 16th note figures in the harp and marimba, which are decorated by the winds and strings.
This piece, like all of our pieces, started as a duo guitar improvisation before growing into what you’ll hear today. Thank you so much to our mentor Anthony Cheung for his endless support, to Ensemble Dal Niente for bringing our notes to life, and to all of you for listening!